Thursday, April 27, 2017


first touch-
the way a bud welcomes
a butterfly
--Rita Odeh, Haifa/ Israel

There is a child like innocence to this scene, in Rita's haiku. We want to be lost in the flight of a dainty little butterfly
so easily tossed in the breezes and exclaim, Look! as it makes contact.

The colours are left to our imagination, we can therefore imagine our favourite flower and butterfly contact. This is such an ordinary happening, here in the Caribbean, however for those climes where there is Spring, after the Winter months, bringing back the warmth and newness, this is extraordinary, for each seasonal wait for Spring is rewarded.

The lightness of the butterfly in flight and in contact, revels in the haiku aesthetic of Karumi.

Her Line Two, extracts the essence out of this haiku moment, by her expression - "the way". She doesn't explain it; she invites us to tap into our own consciousness, to experience it, and bring to our reading, the Aha between writer and reader.

Well Done Rita!
gillena cox, founder/co-ordinator CKK

The prompt for this kukai was welcome

See the results HERE

Thursday, March 30, 2017


a monk empties his thoughts
into the rising sun
--Adjei Agyei-Baah (Ghana)

Adjei's haiku opens with a command to our attention. One word, forms the voice of this poet into grabbing our attention.
"What is it about the hilltop Adjei"? is it the shape of it, is it verdant, is it parched due to scorching hot weather? All these ideas come to play in our minds, at the sound of the poet's voice.
His haiku continues as revelation his phrase, the interest of his haiku’s fragment.

So, it’s about a monk, Okay. And even though he gives us this bit of info in his haiku phrase, he cleverly applies the Japanese aesthetic of 'ma' where enough space is left in his telling of the tale for us to still wander in our minds filling in blanks.
This monk of Adjei's, he could be on the hilltop, or standing looking at the hilltop, or even be withdrawn in his private reading space, looking at a picture of a hilltop.

What we know for sure is he, the monk, awed by the spectacle directs his thoughts to no one else but the rising sun. A lovely setting of the monk's aloneness and his commune with nature. Be he, just absorbed in reverie, or creating alone-space in a crowd.

Thank you Adjei for an awesome haiku in this the 2017 anniversary of Caribbean Kigo Kukai
Well Done
gillena cox, Founder coordinator – Caribbean Kigo Kukai

Results of the kukai
The kukai prompt was retreat

Tuesday, January 17, 2017

Christmas beverages

snowflake cocoa . . .
enveloping myself
with old love letters
--Christine L. Villa, USA

The chill of winter greets us, as soft as snowflakes falling, we can settle into warm pyjamas, fluffy slippers or plain amazement like me; when, on vacation In New York, my sister called me to the front door and urged me to put my hands out, only to be caressed by, for the very first time in my life, nature's divine snowflakes.

Since my first snowflake experience is thus, when i read Chrissi's haiku, i could taste, the comforting hot chocolate, and remember the caress of nature, all at the same time. I had not yet gotten to Line Two of her haiku but i was wrapped up, warm and snug

Chrissi continue in her very evocative style, in this haiku, by wrapping herself, and us, in the process; as she smothers herself with a sense of taste, embrace, and memory What's not to love about this haiku.
I am not easily moved to tears, but, if i were one of those at Line Three, I would have certainly have had to reach for a kleenex or two.

This haiku affects our senses in a good way. We want to reach out and hug Chrissi. We want to tell her, this is what memories should be about, keeping us warm when the cold drafts of day to day, whatever the season, drift in.

Well Done Chrissi
--gillena cox
Caribbean Kigo Kukai - founder/coordinator

haiku prompt Christmas beverages
revisit the results of this kukai

Wednesday, August 31, 2016

the music invites you in

island parade --
losing myself
in the steel drum
--Paul David Mena

Paul defines for us parameters in Line One. The scenic is left to our imagination to fill in the space. We get to add the people, colours, the sounds and the smells. Then he challenges us in Line Two with his choice of 'losing' taking us along to be absorbed with him into defined territory. In Line Three he awakens us out of our reverie with a particular sound. The music so typical and peculiar to where he has transported us. We can hear with him the music in our minds as we read and i dare say read again this charming little haiku.
He opts for a veer away from the 5-7-5, to the more modern free syllable count. So we are given this experience of his appreciation of an island event and rhythm in 3 lines each carrying four syllables

Well Done Paul

--gillena cox
Caribbean Kigo Kukai - founder/coordinator

haiku prompt the music invites you in
revisit the results of this kukai

Wednesday, April 27, 2016


just enough
to dress the empty space
spider's silk
--Gabriel Sawicki, Poland

When we say style, fashion follows the trend of thought; and too, a particular way of doing or presenting. Style sets our eyes on the elegance or ambiance of surroundings and on a more personal note, what is being worn. Gabriel, however in choosing to write a haiku on this theme, looks to nature and what she has to offer. The spider becomes his muse, and she spins into his haiku sphere, the minimalistic features of dedication to space, elegance and fullness of assemblance. He weaves a tale as expertly as the spider himself, with enough nuance to catch our fancy and hold us interested.
He uses the classic three lines: Lines One and Two form his fragment, Line Three his phrase. His three syllable count of Line One is repeated in Line Three giving his haiku control in form and appearance.
The notion of wabi sabi, pertinent in this haiku. Things are as they should be. What else should spiders do, but spin. their spaces into magnificent tales of examples for us, to be ourselves and use what we are given effectively

Well done Gabriel
--gillena cox
Caribbean Kigo Kukai - founder/coordinator

haiku prompt style
revisit the results of this kukai

glad tidings

Christmas lights
I put the shadows
behind me
--Anna Cates, USA

Truly this is so significant of Christmas, for the new light, who outshines all others is represented in every twinkle at Christmas. We look to that star of Bethlehem which radiates in every symbolic twinkle of lights. The new way is pointed out to us so we are wise to (like Anna) put all shadows behind.
This haiku is forceful in message and light in inspiration
A three line format of fragment and phrase ensues. Line One being her phrase. We read, and look to see what surprise follows.
Essentially a great big message in such a tiny haiku. Thank you Anna

Well done Anna
--gillena cox
Caribbean Kigo Kukai - founder/coordinator

haiku prompt glad tidings
revisit the results of this kukai

pink bubblegum

pink bubblegum
again she blossoms
under the sakura
-Brendon Kent, England

A really nice juxtaposition, in Lines One and Three, The appeal to our sense of sight is honed, in a very pleasant and celebratory manner. The festivity of sakura blooming and the coy innocence of blowing gum is nicely pitted against each other. What could follow pink bubblegum? Really anything under the sun. However Brendon surprises us with a burst of blossoms which we will understand to be pink

Well done Brendon

--gillena cox
Caribbean Kigo Kukai - founder/coordinator

haiku prompt pink bubblegum
revisit the results of this kukai